Robert Nichols @ Church Of Ascension, Easington – 14/10/14

It is 30 years now since the Miners Strike but in a church hall in Easington Colliery the struggles, the camaraderie and the bitter feuds and divisions were remembered as if it was yesterday.
Community Arts theatre Company One For All Productions told the story of that fateful strike from the perspective of the women that were the glue in the north east coalfield community. The four members of the acting cast and one singer drew on stories and anecdotes from the women that fed and sustained the society and stood side by side with men on the picket lines. What made it all the more poignant for me was that many of the women whose stories were being voiced were sitting in the audience reliving it all again.

Interspersed with snapshots of lives from 1984 were the often heart wrenching testimonials from young girls that worked down the pits before the 1842 Royal Commission sent them back to the surface. With poems from Keith Armstrong, Christine Hogg and Florence Anderson and songs by Elvis Costello and Billy Bragg this play took you back into the sitting rooms and soup kitchens of 1984.

It was inspiring to hear of how the pit villages initially banded together and it was almost wartime like community spirit. But we heard shocking evidence of the attacks from without and within. There was extreme police harassment on the main streets of Easington as the coalfields became the frontline in a political battle field against an enemy within.

One For All were not seeking to re fan the flames of the blame game but were laying out the record from both sides and exposing the impact on the lives of the real women and their families. There was compassion but also hatred and real suffering for their cause. Food was scarce. Bills went unpaid. Stress and depression stalked the streets at night. There should have been no Christmas in Easington that year and yet they all rallied round to make it a special time.

Sad to think that the end of the strike was all too soon after followed by the end for the pits and with it a way of life and community. But in amongst the sadness there was a final defiant message that the women of that community were still there and fighting back.

Some of the words expertly voiced by the women on stage were from Heather Wood seated in the front row of the audience. After 30 years she is regaining her confidence to organise and rally the community to a cause, this time for the church whose fabric is in perilous condition. In a moving final scene the cast joined together to sing the stirring strike anthem, Women of the Working Classes. At the onset of the strike they were normal housewives, mothers, sisters and daughters yet many found a strength and a voice in a very dark hour when their community was being wrenched apart.

I felt very privileged to part of this special evening when the story of the women from the striking coalfields as told again. It was more memorable still that many of those women were seated in the audience and 30 years on their tales of heroism and defiance were given a platform and accorded deserved recognition. An inspiring story.

A Postcript

Afterwards in the Miners Welfare Hall, Heather Wood told us of her fears about a kind of fracking that is being eyed up in East Durham. The coal seams closed off at the end of mining at Easington are still there extending far beneath the sea. They are now talking of extracting gas by burning the coal. Heather worries about the dangers and lack of safeguards to control an inferno that could potentially blaze for miles underground east and west. She points to lessons from history, etched into the coal here in Easington where 83 were killed by an explosion underground in a disaster in 1951. The Inquiry was actually held in the very building we were sitting in.

Robert Nichols

Tracy Hyman – ‘North East Reviews’ @ Church Of Ascension, Easington – 14/10/14

This year is the thirtieth anniversary of the 1984 miners’ strike. It was an event that affected the daily lives of the people in the mining communities in the North East. The events that unfolded brought together communities and ultimately ripped them apart, bringing high levels of unemployment as the mines eventually closed down. This is a well-known story in the tale of the decline of North East industry, but what is less well-known is the story of the women behind the men working in the mines, the women that supported the miners, started their own initiatives, joined the men on the picket lines and very like the war, it changed their lives forever.

In a small church hall in Easington, across the road from the Mining Institute, five women bring the story to life using music, poetry, the occasional appearance of Margaret Thatcher, and the real life experiences taken from the interviews of twenty three women from across the coalfields of the North East. What makes this play special is that it was created by, set in and ultimately performed in the hearts of the communities that it is about. We are introduced to the women one by one as they step forward to say ‘I remember’. Brass band music plays in the background. The mood is sombre, poignant and contemplative.84 - Prod_Cropped

One by one we hear their stories. We see how the strike affected the everyday lives of children and their families. This is interwoven with stories about young girls who worked down the mines before the 1842 Royal Commission. We learn about Heather Wood from Easington, who sets up a kitchen to feed affected workers and families. At the height of the strike the kitchen fed up to five hundred people for five days a week. The community came together to help, to work in the kitchen, to make food parcels and support each other. Children were given shoe vouchers to help them buy shoes. Support came in from all over the world, the Chancellor of Germany, Billy Bragg and Lindisfarne.

As the year of the strike progresses we are given glimpses into the lives of key women such as Juliana Heron and Heather Wood. We hear about the threatening phone calls and the hostility towards the strikers as the year progresses. We learn about the picket lines, the men and women shouting ‘sc-ab’ to avoid arrest for shouting ‘scab’, a term shouted at the men crossing the picket line.Christmas comes and many have to eat tinned chicken instead of turkey, but there are donations of Christmas presents, one new toy for each child.

After the strike the men went back to work, but the pits ultimately closed and jobs were lost. In many ways the strike was in vain, its purpose was to save jobs and the community. High unemployment meant that children grew up and moved away to find work, a community was lost. For the women involved it changed their lives in different ways, some went back to being housewives but others found they couldn’t just return to being at home. Juliana Heron became interested in politics and became town councillor, then city councillor, then mayor. Heather Wood also stayed interested in politics and has worked in the probation service since.

84 was brought to life by five very talented actresses. We shared their solidarity, their pain and loss as we watched. It is an important lesson in our social history, one that should be seen by the younger generations of the communities involved and beyond.

Tracy Hyman